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Vinyl theory

Author: Jeffrey R Di Leo; Michigan Publishing (University of Michigan),
Publisher: Amherst, Massachusetts : Lever Press, [2020] ©2020
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Why are vinyl records making a comeback? How is their resurgence connected to the political economy of music? Vinyl Theory responds to these and other questions by exploring the intersection of vinyl records with critical theory. In the process, it asks how the political economy of music might be connected with the philosophy of the record. The young critical theorist and composer Theodor Adorno's work on the  Read more...
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Details

Genre/Form: Electronic books
Named Person: Theodor W Adorno; Jacques Attali; Theodor W Adorno; Jacques Attali
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Jeffrey R Di Leo; Michigan Publishing (University of Michigan),
ISBN: 9781643150154 1643150154 1643150162 9781643150161
OCLC Number: 1142816085
Description: 1 online resource (160 pages)
Contents: 1. Late capitalism on vinyl --
2. The curve of the needle --
3. It might get loud --
4. Selling out.
Responsibility: Jeffrey R. Di Leo.

Abstract:

Why are vinyl records making a comeback? How is their resurgence connected to the political economy of music? Vinyl Theory responds to these and other questions by exploring the intersection of vinyl records with critical theory. In the process, it asks how the political economy of music might be connected with the philosophy of the record. The young critical theorist and composer Theodor Adorno's work on the philosophy of the record and the political economy of music of the contemporary French public intellectual, Jacques Attali, are brought together with the work of other theorists to in order to understand the fall and resurrection of vinyl records. The major argument of Vinyl Theory is that the very existence of vinyl records may be central to understanding the resiliency of neoliberalism. This argument is made by examining the work of Adorno, Attali, Friedrich Nietzsche, and others on music through the lens of Michel Foucault's biopolitics.

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